jason

 

Took the S40 in for its 45,000-mile maintenance and discovered that I had passed the four year anniversary of its purchase recently without even noticing. And, being a history guy, that’s a cause for all sorts of reflection.

Four years ago I was exiting GameSpot and preparing to go to IGN.

It’s been four years since I had the legendary Curry in a Hurry from Mehfil, or eaten lunch at the Crocker, or grabbed the lunch special at Yank Sing to Go. I can’t even go to Stacey’s Books anymore, as it has shut down.

Meanwhile, I was living in that big apartment in San Francisco with Craig and Tammy as roommates. Now they’re married and have a spawn of their own. Their storage room was Justin’s old bedroom, but he had just moved out for Oakland. Now he’s running the shop over at GameSpot.

Four years ago, I had no idea I’d live in Michigan for a year, or find myself in Seattle after that.

There are two lessons here. Time flies. And it’s weird what a simple thing like a glorified oil change can bring up.

 

Wandered around Magnuson Park the other day and came upon the Fin Project. It’s a path that’s strewn with the fins taken from decommissioned US Navy nuclear submarines. Swords into plowshares, indeed. It’s also a pastoral memorial to the Silent Service.

 

 

“Are you finished?” the grandmotherly proprietor of the Greek restaurant wants to know. My half-eaten shrimp gyro lays on the plate. It turns out I don’t quite like the strong taste of olives.

“Yes, thank you,” I respond politely.

“Look at this,” she motions at my plate. “Why you waste so much food?” Her accent still has a strong hint of her Mediterranean homeland despite years of living in America, which also means she’s likely still got some of that famous Mediterranean temper in her, too. Not good. Seriously, have you seen the news? Athens is literally burning right now because the Greeks are furious that they have to get their finances in order.

“I’m sorry! It was good! I just had a big breakfast.” I’m lying of course, but I’m looking for the diplomatic way out.

“She finished her food!” Grandma motions at my lovely lunch companion, who ate all of her Greek fries and the vast majority of her beef-and-lamb gyro, leaving only a few bits of pita bread on her plate. I had ordered the shrimp at the last moment, wavering between that and the traditional gyro. I really should have gone with the traditional.

“I’m sorry. I just wasn’t that hungry.” This is getting uncomfortable. I think I’m starting to squirm. The LLC looks amused. It’s been decades since a grandmother has chewed me out. I sort of forgot how helpless you are in those situations. When your parents chew you out, it’s almost natural to lash out. It’s the age-old tension between parental authority and filial rebellion. But when grandma chews you out, you just feel terrible.

“Think of all the starving people, and you waste food,” Grandma says, not letting me off the hook. I have nothing left, so I shrug my shoulders in defeat. Grandma takes the plate away and goes to the kitchen. The LLC waits till Grandma’s out of sight before she has fun with this.

Grandma comes back with the bill. She shoots me another look when she realizes that I’m not picking up the LLC’s share. I’m totally disappointing her on so many levels right now. Strangely enough, I still leave a decent tip. The LLC and I get out of there.

Time to turn lemons into lemonade. “New idea for a startup,” I say. “Grandmotherly disappointment on demand, for those who need to feel guilty. I forgot just how devastating it can be.”

You laugh now, but you won’t when it makes millions. Grandmas are fearsome things.

 

The view from the old residence, San Francisco.

 

So I bought the black Kindle Touch Leather Cover with Light (actual name) from Best Buy for $59.99. That’s the same that Amazon charges online, so no point ordering it online. Frankly, I got tired of waiting for third parties to clone the darn thing.

I do admit that it works well, even if it is overpriced. What I like is that I now have ways of holding the Kindle that I didn’t have before. I can hold it much more like an actual book rather than a tablet. And the light lets me read from any angle, so I can lay back or curl up in any position and keep reading.

Finally, it’s nice to keep the dust out of the display when I’m not using it. Wish there was a flap to keep it closed, though. And, seriously, it shouldn’t be more than $40 or $50 at the most. The leather cover is seriously thin.

 

I feel I need to explain myself to someone after today, specifically for my driving.

Back when I was teenager, I had a paper route. I delivered about 60 papers to my neighborhood on my bike, rain or shine, in my small hometown outside Seattle. One of the houses I delivered to was a beautiful white colonial, seen in the photo above. One day, I tried to deliver and the house was literally surrounded by guys setting up lights and even a camera. I had no idea what was going on. They were there all afternoon and I never saw them again.

Months later, Twin Peaks premiered on ABC, and I was watching. The show cut to an establishing shot of the Palmer house, and suddenly the little switch in my brain clicked. Yup, I delivered newspapers to the Palmer residence, or at least, the house they shot the exteriors of for the Palmer residence. Since then, I’ve always felt a weird, kindred link to the show.

Which gets me to the point of this little explanation. There’s a great scene in Twin Peaks where the FBI agent (Dale Cooper) and the local sheriff (Harry S. Truman) are hanging out in the sheriff’s truck while on stakeout. And the slick, suited FBI agent is whittling.

Cooper: Wanna know why I’m whittling?
Truman: OK, I’ll bite. Why are you whittling?
Cooper: Because that’s what you do in a town where a yellow light still means slow down, not speed up.

And that’s me and my hometown to a T.

So I apologize for slamming on the brakes today, but when I see a yellow, I have to slow down. I even feel awfully guilty the few times I speed up.

And, to be honest, there was absolutely no way we were going to beat that light. :P

 
Wee, sleekit, cow'rin, tim'rous beastie,
     O, what a panic's in thy breastie!
     Thou need na start awa sae hasty,
     Wi' bickering brattle!
     I wad be laith to rin an' chase thee,
     Wi' murd'ring pattle!

     I'm truly sorry man's dominion,
     Has broken nature's social union,
     An' justifies that ill opinion,
     Which makes thee startle
     At me, thy poor, earth-born companion,
     An' fellow-mortal!

     I doubt na, whiles, but thou may thieve;
     What then? poor beastie, thou maun live!
     A daimen icker in a thrave
     'S a sma' request;
     I'll get a blessin wi' the lave,
     An' never miss't!

     Thy wee bit housie, too, in ruin!
     It's silly wa's the win's are strewin!
     An' naething, now, to big a new ane,
     O' foggage green!
     An' bleak December's winds ensuin,
     Baith snell an' keen!

     Thou saw the fields laid bare an' waste,
     An' weary winter comin fast,
     An' cozie here, beneath the blast,
     Thou thought to dwell—
     Till crash! the cruel coulter past
     Out thro' thy cell.

     That wee bit heap o' leaves an' stibble,
     Has cost thee mony a weary nibble!
     Now thou's turn'd out, for a' thy trouble,
     But house or hald,
     To thole the winter's sleety dribble,
     An' cranreuch cauld!

     But, Mousie, thou art no thy lane,
     In proving foresight may be vain;
     The best-laid schemes o' mice an 'men
     Gang aft agley,
     An'lea'e us nought but grief an' pain,
     For promis'd joy!

     Still thou art blest, compar'd wi' me
     The present only toucheth thee:
     But, Och! I backward cast my e'e.
     On prospects drear!
     An' forward, tho' I canna see,
     I guess an' fear!
 

 

I have a roll of Ilford B&W sitting on my desk that I shot years ago and haven’t developed. I think it dates to 2004 or 2005. It almost feels like a time capsule of sorts at this point. I kind of miss those pre-digital days, when you had to literally make every shot count. And there was that delayed gratification to see if a shot really did come through. Now everyone snaps thousands of photos with their phones without thinking about it.

One of my summer jobs in college was working in a one-hour photo lab. Those don’t exist anymore. But I remember the huge container where we tossed the empty film canisters for recycling. Each canister represented an adventure or a memory. It’s a big reason I’m a bit of a romantic when it comes to film.

© 2011 The Subtlety of Grandness Suffusion theme by Sayontan Sinha